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Showing posts with label western historical. Show all posts
Showing posts with label western historical. Show all posts

Thursday, June 5, 2014

Meet Sarah McNeal



 A very interesting, talented lady is visiting today. I wish I had her talent with musical instruments. Wow. Sarah was so gracious to invite me to visit a blog she manages (The Romance Room), I had to return the favor. And I'm so glad I did because I got to know her better. Let's find out about Sarah McNeal.

Sarah McNeal is a multi-published author of several genres including time travel, paranormal, western and historical fiction. She is a retired ER nurse who lives in North Carolina with her four-legged children, Lily, the Golden Retriever and Liberty, the cat. Besides her devotion to writing, she also has a great love of music and plays several instruments including violin, bagpipes, guitar and harmonica. Her books and short stories may be found at Publishing by Rebecca Vickery, Victory Tales Press, Prairie Rose Publications and Painted Pony Books, an imprint of Prairie Rose Publications.
 
She welcomes you to visit her at

When did you first realize you wanted to be a writer?

I loved telling stories even as a little kid, but I first began to attempt writing them when I was 9. I submitted my first story to Seventeen Magazine when I was 13. It was rejected, but I had the fever, so I couldn’t give up.

How long does it take you to write a book?

Wow, this really varies. When I’m on fire and my outline is clear and solid, I can write the first draft in 3 months. If I run into a problem or struggle through an issue, it can take up to 6 months.

What is your work schedule like when you're writing?

Schedule? I don’t really have one of those. I tried having “office hours” so I could get some structure, but I would just sit and stare at the computer screen. Since I usually write in longhand .first, yep, I know that’s archaic. I usually like to write after I’ve checked my emails and had my coffee in the morning, then I go out on the deck and start writing. If my attention begins to lag, I take a break to work in the garden or do housework. In the winter, I have to go to the spare room where it’s quiet and hand write a scene.

What do you like to do when you're not writing?

Like many writers, I read like a mad woman, but I also love music and take the time to practice on one of my instruments or go out and work in the yard. I love digging around in the earth. There’s such peace in that. My spirit becomes uplifted.

What’s your favorite movie?

It’s hard to decide on just one movie, but my all-time favorite is Tombstone with Kirt Russel,Val Kimer and Sam Elliot. What I truly love about it is the friendship between Wyatt Earp and Doc Holliday and Wyatt’s devotion to his brothers. He never wavered from his dedication to them.

What does your family think of your writing?

LOL My family takes my writing for granted. They seldom ever ask me what I’m writing or read my books. The only member of my family who is interested in my work, is my great-niece. She also loves to play the violin and other musical instruments with me. She’s my heart.

Have you ever stayed up all night to finish reading a book? If yes, tell more.

Absolutely! I read Wuthering Heights in one day. I got started and was so hooked into Heathcliff and Cathy’s stormy relationship that I just could not put it down. When I get into a book with deep, complicated characters and uncertain outcomes, I will read until I get to the end.

How many books have you written? Which is your favorite?

8 novels and 10 short stories, 6 of which appeared in anthologies.
Of course, like most authors, everything I write is dear to my heart, but THE VIOLIN is very special to me. I wrote it about my Uncle John who died long before I was born. He was only 21 when he died. My father told me all the stories about his exceptional brother, how he traveled around the U.S. and Canada on a motorcycle with a New York opera company, played the violin and had just graduated with a degree in engineering when he drown while fly fishing with his friends. I wanted him to have the life he so deserved. Almost everything I wrote in THE VIOLIN was true except that John didn’t die or find the love of his life. I inherited his violin.

What do you think makes a good story?

Characters with depth, determination and grit who can laugh at their frailties. And I like a story premise that is not predictable, but takes the reader on an exciting journey of the heart.

What is the best part of writing for you?

I love to come up with an interesting story with surprises in it. In my mind I piece together all these elements like a jigsaw puzzle and bring in the best characters I can imagine. It’s like taking daydreaming to a whole new level.

What do you enjoy most about life?

Everything. I feel lucky to be on Earth. I love to spend time with my family and friends even though I’m a bit of a recluse. I have such a fondness for all creatures. Even though I would not want to come upon some of them I in real life, like snakes and lions, I believe all creatures have a right to be here and a purpose—except parasites and mosquitoes. One of my favorite things to do is take my dog, Lily, outside and sit on the deck and enjoy nature.

Where do you start when writing? Research, plotting, outline, or...?

I’m a plotter. I usually start with the theme in the form of a blurb. Once I know who my main characters are, what they want and what the obstacles are, I plot the story in the form of a synopsis. I dislike writing a synopsis when I finish, so I write one in the beginning and use it like an outline. I’m a plotter. Now I know what I need to research to give the story a realistic feel. I love research, so I have to be careful not to get lost in it. Even though I have an outline, I find I need to tweak it sometimes and, sometimes I have an epiphany and change the plot a little when that happens.

What did you learn from writing your first book?

Not to head-hop.
I had some bad examples from stories that I read and emulated those authors in the beginning. I also had a propensity to throw in too much backstory in the beginning. Nothing slows a story down like backstory in huge chunks. I’ve learned so many things along the way from classes and other authors. Every time I write a story, I learn something new.

How many hours a day to you spend writing?
I don’t have set hours for writing. Sometimes I get email out of the way first. Some days I have to dedicate myself to promotion. It really surprised me in the beginning to learn how much promotion an author has to do. When the spirit is with me, I can write for hours, but on other days, I have to force myself to get something down even when I’m not feeling it. An author once said, “You can’t edit a blank piece of paper.” So, even if it’s not my best work, I can go back later and bring it up to par.

If you could give the younger version of yourself advice what would it be?

Believe with all my heart in myself. Several times in my attempts to become published, I allowed others to dissuade and discourage me. I wouldn’t want any aspiring author to ever feel that discouragement.

Are your stories driven by plot or character?

Although I am a plotter, I have to admit that there have been times when a character took over the pages. One example of that is in Harmonica Joe’s Reluctant Bride. Banjo, the streetwise, tough talking kid, took over and I had to corral him until I could get his story written in a sequel, For Love of Banjo. I had never intended to write a series when I wrote Harmonica Joe’s story. It was supposed to be a one time deal, but with the entrance of Banjo, a whole saga of a family in a fictional town in Wyoming started. I loved allowing Lola to predict future events now again since she came from the present back in time to 1910 in the first book. Her uncanny knowledge of the future would lighten the mood when things became intense.

How do you balance a life outside of writing with deadlines and writing muses?

Sometimes I do get lost in my work and forget to emerge into real life. Sometimes my family has had to mention my absences and bring me back to the real world. I know that I sometimes bore my friends and family with writer’s talk and I wish I had a close friend who lived next door to talk to and brainstorm with. I have to admit that balance between writing and real life doesn’t come easy for me.

What are some jobs you've done that would end up in a book?

I worked as a nurse all my life, but I don’t like to write about it in my stories. Stories provide an escape from the intensity of critical care nursing. I have, however, used stories of patients in my writing. There are so many heart-rending stories from those patients, some I’ve yet to write.

If I was a first time reader of your books, which one would you recommend I start with and why?

THE VIOLIN. Even though it’s an earlier work, it is my most inspired story. It’s an almost true story about my family and I put into it all the love I have. When a reader finishes this book, they will know the essence of who I am.

What do you hope readers take with them after reading your work?
More than anything, I want them to feel uplifted. Life is worth living. No matter how bad things get, there is always a way to find happiness.

What two authors would we find you reading when taking a break from your own writing?

I read a wide variety of authors so it’s hard to choose just 2.  I think that’s why I love to read anthologies. I have found some new-to-me authors that I love through anthologies. Two of them are Lisa Kleypas and Linda Lael Miller.

Tell us about your latest book.

UNEXPECTED BLESSINGS is my contribution in a new summer anthology, LASSOING A BRIDE from Prairie Rose Publications. It is a collection of western, historical romances by several talented western writers.


A broken dream…a cancelled wedding…and an unexpected blessing

When Juliet Wilding’s dreams are crushed, she cancels her wedding plans to Harry O’Connor. But Harry is not about to give up on the only woman he has ever loved.  What neither of them expects is the event that will forever change both their lives.

Excerpt:

rptub“When will the new owners be moving in?” She asked the question without making eye contact.
“On the twenty-first of June.”
She slowly turned to look up into his face. “Why that’s when our wedding day was supposed to take place.”
“That’s when our wedding day will take place, Juliet. And this house is my wedding gift to you. Actually, it’s a wedding gift from your family, too. They helped me renovate it…with you in mind.” He lifted his hands to encompass the whole house. “All of this, it’s all for you, darlin’. It doesn’t have much furniture yet, but—”
She extended her arm and kept him away with her hand on his chest. “No, Harry, this can’t be our house.”
“I assure you it can…it is.”
A tear slipped from her eye and made a path down her cheek.
What the hell? Had he been wrong to buy the house? “If you don’t like it, I can change it. I’ll do whatever you want. I just want you to be happy.”
“It’s not the house. It’s not you; it’s me. I can’t marry you. I refuse to ruin your dreams or your life.” She wrestled out of his arms when he attempted to embrace and reassure her.
The earth was churning under his feet and his heart clenched so painfully he wasn’t sure he could get his breath. “I know you love me, Juliet. You’re my dream. You’re my life and my future.”

Table of Contents:

“The Prettiest Little Horse Thief” by Gail L. Jenner
“Unexpected Blessings” by Sarah J. McNeal
“No Less Than Forever” by Tracy Garrett
“The Bank Robber's Lament” by Sara Barnard
“The Bride and the Badge” by Livia J. Washburn

BUY LINKS:



 
I will be giving away an e-book of Lassoing A Bride to a person who comments today. Be sure to include your email addy in your comment so I can contact you if you win and award you your book.

As I mentioned at the beginning, I'm so glad you visited today, Sarah. Best wishes on Lassoing a Bride

Thursday, February 13, 2014

Meet Linda Carroll-Bradd




Today my guest is Linda Carroll-Bradd whom I met through the fabulous group Authors Helping Authors. Linda is offering a giveaway. More on that later. Let's get to know her first.

Welcome, Linda. Please tell us about yourself.

I’m a native Californian who spent 3 years in Oregon and 12 years in Texas before a great job opportunity for my husband brought us to the southern California mountains in mid-2012. The years I spent working in the secretarial field have proved invaluable to writing fiction because I have a strong command of English skills (grammar, spelling, punctuation). My husband and I have been married for 35 years (yikes) and have 4 adult children and 2 granddaughters. The move back to CA put us within a 30-minute drive of 3 of our kids and in the same state as the other.

What is your work schedule like when you're writing?

I spend the first hour of the day (I try to log on the computer by 9AM) responding to email and dealing with promotional items. Then I dive into the story with a goal of completing 2,000 words that day. Because I can’t separate the editor side of my brain, I admit to going back and doing word tweaks even in the first draft of the story I am a NaNoWriMo failure 4 or 5 times over because I can’t plow straight through that sh***y first draft, as Anne Lamott calls it. 

Years ago, I took a plotting course that provided Excel spreadsheets for basic character development and breaking out the action into chapter segments. My plot (both the action and the romance) is laid out in those blocks, I know whose POV which scene will be in (I usually have 2 scenes/chapter) and a timeline of when the action occurs. (same day, next day, 2 days later). Each box may only have a sentence or two but they’re enough for me to know what’s going on. When I’ve tried to grab an idea and just write, I flounder after a chapter or two. 

I need this guide and with it, I have a direction—I know I’m writing a scene that has ___ at stake, that the heroine doesn’t want the hero to know ___, but she has to obtain ___ from him. I’m not saying the final story follows this spreadsheet exactly but it’s a roadmap and I’ve been writing long enough to know when I’ve gone off-course and need to rein myself back.

Where do you start when writing? Research, plotting, outline, or...?

This is so interesting because I had to create a synopsis early this month for a fall anthology. The publisher provided a theme as the starting point (which is one of my favorite ways to start a plot). But the kernel of an idea that I started with changed wildly over the course of the morning as I dug into internet research. 

So my answer is Research because I have to get the location set in my mind first. That’s a fluke of my process. When I first started writing, I read the historical tidbits listed in the travel guides published by the Automobile Club. (Of course, I had to decide on a state or two.) These helped with lots of research—distances between cities, populations, geography, average temperatures by month, etc. Now I look for the same information but online, and I look for unique events or places to include in my stories. So I started the morning thinking my story would happen centered on a woman writer vacationing in a lighthouse. By the time my story was formed, only the location of Newport and Providence, Rhode Island stayed the same—no vacation, writer or lighthouse, but genealogy, pirate treasure and tall ships are included.

What did you learn from writing your first book?

The experts who said “write what you know” didn’t really mean “include everything you know about this subject” in your work of fiction. My first attempt of a romance was written while I was operating a child care business from my home. So, of course, the heroine did the same and that novel included way too many details about feeding and napping schedules, story time.  Someday I will go back and see if there’s anything to salvage from that manuscript—which is only in hardcopy form because it was written before computer backup systems.

If you could give the younger version of yourself advice what would it be?

“Don’t wait so long to tap into your creative side.” I’ve been an avid reader all my life but didn’t have a clue about writing fiction until I’d read probably my 100th Harlequin book. One particular story made me mad at the inconsistencies and I muttered, “I can do better than that.” That declaration seems to have been what was needed because then I couldn’t think of anything else but how I would create this story. Never mind, I had 3 school-aged children (with after-school activities and homework) and was operating a home-based business. I sought out a one-day class on writing a romance which connected me to Romance Writers of America and I’ve been a member ever since—usually of multiple chapters at a time.

How do you balance a life outside of writing with deadlines and writing muses?

Since mid-2012 when my husband and I moved back to California, I’ve been fortunate to balance my time between being a freelance editor and writer. Sometimes, this is more curse than blessing because I am often on the computer for 8-9 hours a day. But that also means I’m never far from my latest work-in-progress.

Of course, my clients’ work comes first and I schedule the editing for the first part of the day, right after I send out scheduled promotional tweets or posts. Then I can dive into research, checking stock arts for upcoming covers, doing revisions, and creating new pages.
When the muse hits, I’m lucky that my husband is very understanding and has his own interests. He’s also willing to go on short jaunts for research purposes. I do make a point of breaking away to share meals (our situation is somewhat unique in that we live onsite at a mountain camp & conference center and the meals are provided at the lodge whenever the facility is rented). Often, I do line-editing of new pages while watching TV in the evening.

What do you hope readers take with them after reading your work?

I hope readers get a sense that establishing a meaningful loving connection with another human is valuable, no matter the struggles that may be involved. I want the characters and worlds I create to provide them with fun and relaxation—a mini-escape from the readers’ everyday responsibilities.

What two authors would we find you reading when taking a break from your own writing?

Jill Shalvis and Kristan Higgins. I love their small-town romances and how they create realistic characters who I can relate to.

Tell us about your latest book.

Capturing The Marshal’s Heart is my first indie-title and it’s a western historical that has some adventure elements. This question made me realize that the majority of my stories don’t cross genres, and that I might consider doing so for my next project.


BLURB:
Jessimay “Jazzy” Morgan boards a westbound stagecoach, intent on building a respectable future with the money earned in Miss Veronica’s Pleasure Emporium. Polite society is more taxing than she’d imagined, especially when her first thoughts of a handsome stranger center on the fee she’d likely get. When she finds him in her boardinghouse room, she can’t resist a little playacting. During a sexy night with the marshal, her needs are tenderly considered and she loses a little bit of her heart. The next day, the stagecoach is robbed and the women kidnapped. Jazzy is crushed at leaving a beaten Slade behind. Planning an escape against huge odds is tough, but confessing her past to a respectable man like Slade is almost impossible.

Boarding a westbound stage in San Antonio, US Marshal Slade Thomas realizes three of the female passengers resemble the wanted poster for a bank robber. The audacious behavior of one woman draws his attention and his suspicions lead him to search her room. When she returns, he can’t resist her playful nature and a rousing night of passion ensues. The next day on the stagecoach neither knows what to say to the other. Then bandits attack, steal the valuables and the women, leaving the marshal badly injured. When Slade tracks down the kidnapped women, he must choose between capturing the bandit and saving Jazzy. A choice between his duty and his heart.

EXCERPT
Slade pressed the satchel into a corner of the rack on the roof, then opened the door and scanned the dim interior—an elderly gentleman, a young boy, and four women of varying ages. Being the last one to board left him with a middle seat. He removed his hat, hunched his shoulders, and stepped up into the crowded stage. As he maneuvered backwards into the space, he kicked the gentleman’s cane and jostled against the knee of a woman dressed in red. “Beg your pardon, folks.”
He wedged himself onto the backward-facing cushion, tucked his boots close to the seat, and balanced his hat on his knee. Stagecoaches were not built for men with long legs. He glanced up and saw his actions were the focus of the other passengers’ attention. With a start, he realized both women on the opposite bench were of average size, had no distinguishable facial marks, blue eyes, and light brown hair.
Just like the wanted poster.
A voice called to the horses and the stagecoach jerked into motion. People on the sides grabbed at the walls to steady themselves.
Great, he’d been lucky enough to get the lumpiest seat he’d ever sat on.
A tug against his right thigh drew his attention. He turned and something tickled his cheek.
The feather on the top of the woman’s black hat bobbed into his sight. She leaned left against the side wall, using both hands to pull on her skirts. “Excuse me, sir. My skirt is surely trapped.” She pressed a hand against his thigh and shoved. “Can you move your as—can you assist me?”
He froze. Surely, he’d heard her wrong. As his mind scrambled to make sense of her words, his leg heated through his trousers under her touch. He’d definitely been without female company for too long. With one hand flattened against the door-frame over the head of the passenger on his other side and the other tugging on the overhead strap, he easily lifted his hips, until she’d gathered her skirts off the cracked leather seat.
“Thank you kindly, sir.”
He eased down to the bench and turned to his right. Out of habit, Slade reached toward his forehead to touch the brim of his hat.
The woman dressed in green gazed up at him with a smile across her shapely lips.
As he opened his mouth to speak, he scanned her face. “You’re—” Light brown hair, no distinguishing marks. Exasperation stole his words. Average size and blue eyes—blue as a summer sky. Damn, not a third one. And why did her assessing gaze have to be in the prettiest face he’d seen in months?

BUY LINK

Through February 27th, this cover is part of the February Cover Love Poll hosted by Lolly at http://www.lollytova.com/februarys-cover-love-poll/ and I would love your vote. Those who do vote and then send the URL for that page to l.carrollbradd(at)gmail.com will be entered in a drawing for a digital copy of Capturing The Marshal’s Heart to be awarded February 28th.

That cover is fabulous, Linda. One last question. Where can readers find you?



It's been great having you here today, Linda. Best wishes with Capturing the Marshal's Heart.