Who doesn’t love a good quest story? Remember Beowulf going
off to slay the monster/dragon Grendel? Or Bilbo Baggins seeking a treasure? What
about Luke Skywalker’s journey to join the rebellion?
In his book The Hero’s
Journey, Joseph Campbell shows the commonality of myths and legends—the
journey each hero takes to accomplish his goal. When Christopher Vogler worked
in the development department at Disney studios, he came up with a memo based
on Campbell’s mythic journey for determining a good screenplay. That memo
eventually became The Writer’s Journey,
a must-have reference book for all writers.
Since I love adventure stories—in books, movies, and TV
shows—I also love writing them. While my characters aren’t mythic, I find using
the Campbell/Vogler’s structure makes the stories easier to write.
Writers tend to describe themselves as plotters or pantsers.
Some writers have to plot the whole story before writing it. Others write by
the seat of their pants—they start writing with only a vague idea of where the
story is going. When I first started writing, I just sat down and started
typing away. Those first stories will never see the light of day. LOL Like any
craft, you learn by doing. The more I wrote, the better the stories became. Sort of.
Until I discovered Vogler’s book. Prior to that, I’d read LOTS of how-to books.
While I took bits and pieces from each, I didn’t connect with any until reading
The Writer’s Journey. Maybe it was
because he used Star Wars (my
all-time favorite movie) to illustrate the structure. Whoo-hoo! The lightbulb over my head lit up.
I’m still a pantser, but . . . And here’s the big but—I have
a basic structure to follow. If I go off on a tangent (as pantsers often do),
the structure hauls me back. As an example, I started writing One Red Shoe back in the mid-nineties.
It was rejected, rewritten, rejected, rewritten, etc. When I finally applied
the mythic structure, the story became much better and was published by The Wild Rose Press.
According to Campbell and Vogler, the story begins in the
hero’s ordinary world. Think Luke Skywalker on the moisture farm, grousing
because his friends have gone off to the Academy and his uncle won’t let him
leave, too. In One Red Shoe, my
heroine Daria is leaving home (Iowa) for a writer’s conference in New York
City. Her overprotective brothers are still trying to dissuade her from going,
but she’s determined. This conference is going to be her big adventure. Or so she
thinks.
In the next step of the journey, the hero hears the call to
adventure but refuses. Luke meets Obi Wan who wants him to learn the way of the
Force and become a Jedi knight like his father. Luke has a number of reasons
why he can’t go and refuses the call. Daria finds a wounded man who needs her
help to get out of a building without the bad guys seeing him. At first, she
dithers. But when Sam nearly falls over she knows he can’t make it without her.
But she can only help him so far, though. She has to get back to her conference. She
has a great opportunity that she can’t miss. She continues to help him a
little more, but each time she tells him that’s it, no more.
For each hero, an event pushes them over the edge and they
accept the call. For Luke, it’s returning home and discovering his aunt and
uncle have been killed and the farm destroyed. For Daria—savior of every
wounded animal that’s ever come into her life—accepting the call isn’t so dramatic. When Sam falls asleep in her car and she can’t wake him up for direction
to the next stop, she makes her decision. If she leaves him, he’ll surely be
captured. Not only can’t she leave him, her journey is about to get worse. This isn't the adventure she thought she was embarking on when she left home.
If I’ve piqued your interest, One Red Shoe is available
at:
One Red Shoe buy link: http://amzn.com/B00FDXRHZA
The Wild Rose Press: http://www.wildrosepublishing.com/maincatalog_v151/index.php?main_page=index&manufacturers_id=1082
Blurb:
When elementary teacher Daria
Mason left Iowa for a writers’ conference in New York City, she didn’t expect
to come home with a wounded spy. Sam Jozwiak works for a shadow agency that
gathers intel vital to U.S. security. From the moment he steals digital files
from a Russian Mafia kingpin, Murphy’s Law takes over. No matter how he covers
his tracks, the kingpin’s assassins find him. What’s worse than getting shot in
the butt? Accepting help from an Iowa tourist. Thus, begins a road trip that
takes Sam and Daria cross country with the assassins right behind them.
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